Learning From the Pros

With a month of nothing but writing under my belt, I feel now is the time for me to start reading once again.  In the few months it took me to get Steampanku on its feet, I’ve assembled myself a neat little library of books in the genre.  Here is a list of books that are on qeue to be read or critically re-read:

The Difference Engine, by William Gibson and Bruce Sterling
The Court of the Air, by Stephen Hunt
Mainspring, by Jay Lake
Iron Angel, by Alan Campbell
The Light Ages, by Ian R. Macleod
All the Windwracked Stars, by Elizabeth Baer
Havemercy, by Jaida Jones and Danielle Bennett
Boneshaker, by Cherie Priest

I am quite certain that my library of steampunk will grow larger in time.  I fathom that I will read through my collection with an eye for prose, world-building, and character depth and development.  First on the docket is Boneshaker, by Cherie Priest, the author of the website Clockwork Century, featured on my blogroll.  I chose to read this one first, as the author seems to aim to create an alternate-history world set in a land far away from Victorian England.  While the aesthetic here is Pacific Northwest, the intentions behind the novel coincide with my own writing interests.  So let’s see how we’ll go from here.

Expect to see a monthly or bi-monthly feature posts reviewing the literature from the perspective of an aspiring steampunk writer, as well as a fan of the genre.  If you are familiar with the titles listed above, then you could see that stories set in the genre can span a wide variety of settings and subgeneres.  By reading and learning from those who have succeeded in publishing their steampunk novels, I can get an idea of what passes off as acceptable prose, characterization, and fanservice.

As for Guardian itself, I’m shelving it for the rest of the year, so I can edit it with fresher mind.  Under other circumstances, I would be more gung-ho about editing, and starting in December, but considering the nature by which the novel was written, it is understandable to give a bit more breathing room than usual.  Hopefully by then, I’d have read enough books to have a good idea of what to critically look for, outside of grammar and spelling.

A Flashy Finish

On top of the monthly book review, I wish to do a weekly feature on top of my regular posting schedule, one based on flash fiction.  Flash fiction is a category of short story that usually defined by around 300-1000 words.  While my writing projects remain somewhat hush-hush in hopes of publication, I still want a creative outlet where I can share the steampanku universe with the reader.  Serialized flash fiction would possibly be the best way to do that.

As it stands, I have lots of content planned for this blog, so that I won’t have to resort to posting snippets of my novel.  With NaNoWriMo behind me, I am looking forward to what the future holds for my reading and writing interests.

New Theme! New Banner! New Draft!

*beams*  A short post this week, but a sweet one!

Firstly, at 54,445 words, I finally finished the first draft of the first installment of my Steampanku Trilogy, Guardian.  I look forward to editing it and rewriting in January.  I’ve gotten a lot of people interested in what I have to show, so I will try my best to get it out there as soon as possible.

Secondly, I created a new banner for the site, since I have yet to make one up until now.  This was a bit of an oversight on my part, since I was quite busy with getting everything else on the blog organized.  Regarding the Banner itself, I created it in MS Paint, and it took me relatively little time to make.  Essentially, I took the Rising Sun flag, and drew a solid white line cutting off parts of the rays from the sun.  Next, I whited out part of the middle, so that the sun would look like a cog.  Finally, I put the title of the blog in the middle, using a font called Shogun’s Clan, designed by Chris Hansen.  The result?  Steampanku, at it’s finest.

Thirdly, due to the colour scheme of the banner, I have changed the wordpress theme to Neo-Sapien, which I feel compliments the banner amazingly well.  I hope you enjoy your stay in the newly upgraded Steampanku!

NaNoWriMo – Week 2

I won. I hit 50,011 on Friday evening, and up until now, I’m yet to add any words to that total. The story is still wrapping up, and will take a few more chapters to resolve the plot arc. Overall, I certainly enjoyed the experience; the best part of it all is that I have a workable project to edit and rewrite come December. And even though NaNoEdMo (National Novel Editing Month) doesn’t come until March, I will try to take it upon myself to personally put in those 50 hours of editing, minimum. Besides, having written a novel in only 2 weeks, there are sure to be some aspects of the novel that will require rewriting or complete exclusion from the Novel.

On top of crossing the finish line, I have settled on a title for my novel.  The way the plot wraps up, it can certainly stand alone as its own novel, but it leaves the ending somewhat open, allowing for serialization via a trilogy or something else.  Considering the focus of the novel primarily on the three characters, I feel that having a novel’s title focus on each of the main characters is a good way to thematically tie them together through the trilogy.

Plans For The Future

I want to take it a bit easier this week, since I have to worry about JET applications.  Having finished this project well ahead of the due date, I certainly have the time available to finely tune this application so that I can maximize my chances of acceptance.  As for the novel itself, I will finish the rest of the book by the end of the week, and begin preparations for editing and second drafts.

The nice guy that I am, I will probably post the raw draft online on this blog.  There are a number of sections in it, so I’m not sure how I will split up the posts without spamming the entire blog with nothing but the novel.  I really want to talk about other things pertaining to Japanese Steampunk, and I don’t want those posts to get lost in a sea of nothing but Steampanku novel posts.  Perhaps I will put it up on fictionpress or something.  Not sure.

As for the editing process itself, I have downloaded ywriter and plan to use it for the editing process.  This software will allow me to flesh out all the details of the novel in an organizable format, and will allow me to make my content-based decisions from there.  For sure, there are continuity errors that I will remove, and entire chapters will be deleted.  It will be my first go at editing a novel, and it will be something I look forward to doing.

As I’ve said before, I don’t want to spoil the plot for everyone, but it would appear that while all the characters are involved in their own storylines, I would like to think that Hanako has been given the spotlight in terms of action and screen time.  In fact, she is the common thread between the other two characters, even though they themselves have interactions with each other that lead to important plot points.  This is the reason why I settled on naming the title based on Hanako’s specialty with guardians.

Closing Thoughts for Week 2

Considering that I’ve already won, I am quite convinced that this is the last time I will refer to NaNoWriMo.  From this point on, I will let the novel exist in its own right as an individual work in progress.  Either way, I’m glad to have experienced the rigors of novel writing.  I have an appreciation for the novel-writing profession and all the rewards and pitfalls that come with the lifestyle.

As an unemployed science graduate, I can see myself doing pursuing this profession in the meantime until the job market opens up for work opportunities.  Or at least until after I find out my fate regarding the JET programme.  Until next time, see you later!

Steampanku, Wordled!

As you can see from the widget that I put on the side, I’m already at 44k words for NaNoWriMo.  I’m on the home stretch of my novel, and it’s shaping up really nicely, for a first draft at least.  Amidst the continuity problems from the first few chapters of the story, as well as certain names that I’m considering changing, I was intrigued by the prospect of wordle-ing my novel.  Here’s what we have so far.

Wordle: Steampanku

Pretty cool! I’ll see you on Monday! Hopefully, the novel will be done by then, and I can discuss where I can go from there, whether it be editing/rewriting and sending it out to an editor/agent/publisher/etc. There’s also the possibility of sharing draft with you guys to see what the general shape of the story is about!

NaNoWriMo – Week 1

I’m already at 30,000 words.  See the graph for yourself.  Even I’m amazed at the progress.  Check out the graph below:

dailycount

Today’s the 9th, so the orange bar on the far right will be higher at the end of the day, but check it out!  I started off quite modestly, getting ahead of the daily word goal of 1,667.  However, with the story world and characters so vivid in my head, the plot just seemed to write itself for a good amount of the time.

In this time, I also had the wonderful benefit of being linked by Seventh Sanctum and Brass Goggles, just a handful of my favourite sites.  I send them both my deepest thanks, for they have encouraged me to really stick with a genre that just seems so interesting.

What I Have So Far

Plotwise, I really don’t want to spoil anything, since I anticipate that either I will put the raw draft version out on the blog, or edit it later and try to get it published.  Seriously, I absolutely love my characters and the world that they live in, even though it’s stock full of corruption!

What I will give you though, is a taste of the characters themselves, and the setting too!

Nagasaki – Instead of basing the story in the heart of Japan in the ‘new’ capital city of Edo, I decided to centralize the action in Nagasaki in Kyushu island, far isolated from the main world.  This gave me freedom to really make Nagasaki its own city, unique from whatever I may have in mind for Edo, which will be absolutely ridiculous when it gets introduced later in the series.

Yes, I said series, meaning that I have novel ideas for this universe beyond the novel that I’m currently writing about.  In the absolute BEST case scenario, that this book gets published with a multi-part deal, I have freedom to create a far-out Edo that will blow expectations out of the water after being exposed to Nagasaki.  In the worst-case scenario, I will turn this universe into a serial fiction on this blog, and I have an awesome Edo idea if and when the main characters travel there, for whatever plot reasons.  In either case, the readers win!  *does a little jig*

Here are a few maps of Nagasaki from the Edo period that I’ve been using for reference and inspiration:

nagasaki1

nagasaki2

Shown above are two maps that were created in the late 19th century using woodblock printing, the first maps of its kind in Japan, done in a European style.  Circled in red is Dejima, the center of the Rangaku movement.  It is major location of importance, since one of the main characters, Hanako, lives there!

Hanako is the character in my main cast that embodies the essence of what I loved about anime and manga: fighting spirit, limitless energy, naivety, hope, idealism, and the hot-blooded temperament that seems to get her into all sorts of trouble.  She’s the Japanese interpretation of Genius Girl, but instead is given the moniker of Tensai-Onna, which is my best literal translation of the term.

The best part about her?  She pilots a steampunked version of a gundam called a guardian.  Guardians in the Steampanku universe are mechanical constructs that are powered by steam, and are capable of surreal hand-to-hand combat.  In a world without space travel and infinite ammo (and automatic machine guns for that matter!), guardians are the prototypical version of Japanese Mecha, and Hanako is a master of building and piloting them.

She is hoping that her guardian, Sakura-2, will win the guardian games, an annual competition that pits the best minds and hands against each other, in a guardian-versus-guardian battle that has now replaced sumo as the national spectator sport!

Closing Thoughts For Week 1

At 30k, I’m quite confident that I will be able to finish this novel long before the due date, but I will be slowing down this week, due to my priorities set on finishing my application to the JET programme, a teaching exchange program that may potentially net me a gig working as an assistant language teacher at a high school or elementary school in Japan.  I really hope I get accepted, and I hope the experience will give me a more profound appreciation for the culture and its ins and outs.

See you in week 2!

Steampanku! The NaNoWriMo Project

For those who are unfamiliar with the term, NaNoWriMo is short for National Novel Writing Month.  It takes place during the month of November, and during this period, participants aim to write a (minimum) 50,000 novel from scratch.  The challenge is very much a literary marathon of sorts, and the community is constantly getting larger every year.

This year, I am participating in NaNoWriMo, and will be making a Steampanku story.  For the month of November, I will be discussing on this blog several things about my characters, settings, and plot devices.  As of this post, I already have 2,761 words, and look to go all the way.  I have a general synopsis planned out, and the world building and character development will be discussed through this blog.

Synopsis

Quoted from my NaNoWriMo novel profile:

“In Edo, there are two rulers of the land: the Shogunate, who watches over the country with a literal iron fist, and the Yakuza gangs who vie for control of the individual territories. But a rapid ‘ Industrial Revolution in Japan makes it the forefront of power in the Eastern World, but its way of life is threatened from within and without. The seedy underbelly of the cities take advantage of this boom for their own personal gain. Steam-powered mechsuits replace traditional sumo; difference engines are used as gambling machines; even prostitutes in brothels are threatened to be replaced by lifelike automata.

Follow the lives of Takeshi, a ronin who works as a hired thug for the mob: Yuki, a geisha, struggling to pay off her father’s debt: and Hanako, a young girl who expresses herself through her inventions. All stories are woven together by a single incident, and fate will bring them back together.

An exotic romance of 19th century Japan combined with the social idealism of steampunk, “Steampanku” is the author’s self-coined term for Japan’s counterpart to the hugely popular Victorian aesthetic: Far East style with the spirit of Wild West.”

For those who are participating in NaNoWriMo, I wish you the best of luck.  As for me, I look forward to sharing my progress (and potentially the lack thereof) with you all.

What is Steampanku? – Part II

In my previous post, I wrote about how it could be possible for a 19th century isolationist Japan to adopt steam technology and manifest its own industrial revolution akin to the Victorian societies presented in most steampunk literature.  This installment thus aims to explain the panku in steampanku.

The earliest works in the genre sought to send a message about sociopolitical issues.  Verne and Wells brought up topics of imperialism and technology, and their effects on both society and the environment.  Joshua Pfeiffer suggests that this aspect of the steampunk story, while much stronger at its roots, are starting to become lost with time, and perhaps with the growth of its popularity.

I tend agree with him, especially so with this concept of steampanku.  I myself admit that my interest in this genre hybrid was inspired by the works of James Ng, and not to bash on his work, as well as deviantart.  But it was what it was, merely art.  Merely an aesthetic.  I craved for the social commentary that was brought upon by the likes of Downer’s “The Last Concubine” and even to a lesser extent, Golden’s “Memoirs of a Geisha.”  If I wanted to write for this genre, I wanted write for the entirety of it, fitting both aspects of steam and panku.

If anything, the state of Japanese culture throughout history is unique in itself; throwing a literal monkey wrench into the equation can open people’s eyes regarding exactly how different Japan was from the rest of the world.

Expansionism versus Isolationism

While the Victorian works spoke out against British expansionism, Edo Japan was entirely isolationist, namely the complete opposite.  What strikes me as fascinating is that two polar opposites in national policy could lead to similar forms of corruption and amorality.  Such examples of this are the eradication of the growing Christian population in Japan, slavery and sex trade of foriegn women, and racism in general.

Individualism

One issue that may arise from the effects of isolationism is a sense of cultural homogeneity.  In a society that is structured on the family and the clan, the importance of the individual is secondary to the group.  In the context of steampunk, this notion may be challenged.  The concept of invention is tied to individuals, isolated minds.  The success of said individuals can have undertones of rebellion against the basic mores of Japanese society.  Alternatively, the concept of collectivism can be spun amorally by depicting a shogunate that completely enslaves its citizens in the wake of industrial revolution.

Classism

Between the omnipotent and omniresourceful emperor and shogunate of Edo society and the enthralled farmers of  the outskirts and underbellies of the metropolitan cities, there is a huge gap.  This gap can either widen or shrink with the introduction of steam technology.  It is up to the author to determine which outcome holds true and show why through the reaction of the story’s characters.  Otherwise the story would hardly be steam, but instead full of hot gas.

Sexism

Gender roles in society can be examined through the use of point of view of characters of differing sexes within the same environment.  Prominent females in 19th century Japanese society may include the wives and daughters of royalty, or even the concubines and geisha that service the patriarchs.  As a romance/coming of age novel, “The Last Concubine,” this issue was examined within the context of the Shogun’s harem and the politics between women that ensued.  In a steampunk context, the worth and value of a woman could be questioned through the introduction of machines that make their assets less useful.  Once again, think Memoirs of a Fully Automated Geisha.

Not Actually Punk?

The themes spoken above are just one of many topics that can be explored and examined in a literary sense in the writing process.  However, the term punk is one that is hotly debated.  For all intents and purposes, steampunk can just all be about Neo-victorian magical cosplay as a tor.com commenter sarcastically suggested.

But there is an idealism that is generally agreed upon by the community.  The sense of creativity, a do-it-yourself attitude that can turn ‘impossible’ to ‘implausible’ to ‘possible’.  That is essentially what speculative fiction is all about, harnessing that raw imagination and using it as a form of expression, communicating the deepest cores of our beliefs and passions.

This is what steampunk is about.  For me, this is what steampanku is about.

Silver Tiger, Part One

Author’s note: This is my response to the Saucy Wenches Podcast writing prompt of Paper and Tiger. It is also my first foray into the Steampanku genre.  I hope you enjoy; any and all criticism would be greatly appreciated, since it is still just a first draft.

Silver Tiger, Part I – Minako

The firebox of the Silver Tiger hissed as the last coals were added for the night; the fire stoked and its smoke flooded the room, disrupting the vision of its crew, and carelessly escaping through vented windows, dancing alongside the rest of the train as it churned along through the eastern sea road.  The last remnants of the clouds dissipated as it collided with the rear car.

“It smells like burnt fish and dead mouse.”

Minako sighed as she looked out into the night sky from her seiza kneeling position.  It felt like she had been riding for months on end.  She shifted her weight from to side until her left leg turned numb, switching left and right as she felt fit.  In front of her was an elegant pine knee-high table, food strewn in front of her and the other dining guests.  Her stomach grumbled.  She refused to eat.

Her words were lost in a sea of chatter amongst the other dinner guests, aristocrats from old Kyoto, all too fascinated with the novelty of the steam engine on which they rode.

“This thing is surreal,” said the owner of a famous inn for magistrates and travelling daimyos.

“It’s long and elegant, like the River Kiso,” said a renowned cartographer.

“It’s giving me a stomach ache,” said Minako.

The dinner party finally turned their heads at the girl’s direction.

“Mii-chan!” Her mother scolded, “Do be polite!”

Minako lowered her head with false apology.  “I’m sorry kaa-san, but the concept of rail travel is foreign to me.”

A man wearing a simple kimono of blue and green checks chortled.

“Yes, Misako-sama.  The train’s designs were taken from the Dutch, yet its aesthetic Japanese.”

Ichiro Yoshino, the grand architect of Gintora, the Silver Tiger now had the attention of the entire room, and he let them know about it.  He reached into a pouch sewed on the inside of one of his sleeves and procured a thin, elongated smoking pike and lit it, taking a sensual drag and letting out a cloud of smoke similarly shaped to the ones coming out of his train.

Gintora is a work of art.  We took from the Dutch the basic principles of steam locomotion; the boiler, the firebox, the smokebox, the valve system, the gears, the cylinder, the wheels.  Everything on the inside is European, but the people know yet of it.  All they see on the outside is Japanese; the frames tempered from metals mined out from inside Mount Fuji, the panels made of the best-harvested lumber from the forests outside it.  No commoner can see the differences; all they see is pure Japanese quality whenever the Silver Tiger rolls by their village.”

Minako scoffed inwardly, hardly impressed with Ichiro’s display of self-satisfaction.  She was born and raised exposed to the old man’s work, having lived in the Emperor’s palace her whole life.  She cradled her arms to herself as she remembered pictures of her home as Ichirio droned on about the train’s lavish design.  As a chill from the night scenery crept onto the back of her smooth, exposed neck, she shivered, remembering the coldness of the winters in her private chambers in the Emperor’s palace, reactively heated by nearby vents.  Back then, she welcomed the luxury, but was haunted by its rumbling, which seemed to echo throughout the whole palace.  She remembered the halls lavishly decorated with old paintings and poems inked on archaic canvases, and the emerald hue of carefully pruned bonsais; their beauty perverted by indoor tracks that ran endlessly from hall to hall, tea-serving automations, platforms and chairs on self-propelling wheels, and the tumbling of a boiler room in the lowest levels of the basement, eerily drumming a beat of change in her father’s empire.  BADOOM.  BOOM.  BADOOM BOOM.

The sounds from her memory suddenly merged with the sounds of the locomotive as it entered a stretch of open desert.   CHUGGA CHOOM.  CHUGGA CHOOM.  CHUGGA CHOOM.

Minako snapped back to reality, instantly setting her mind back on her dinner, just in time for Ichiro to finish out his long-winded speech.

“Tonight marks the maiden journey of Gintora, and what better occasion than to transport Minako-sama from Kyoto to Edo for her wedding.”

Minako’s mother beamed.  Her chest rose with pride as she took a sip of tea with the signature grace that all Empresses before her exuded.  A wedding between her precious daughter and the Shogun would become her legacy, a marked moment in history that would signify change in Japan forever, a change she did not understand, but readily accepted, if it meant eternal glory for her family.

The rest of the dinner party followed suit, continuing with poetic banter about the pre-boom days in Kyoto, and how moving everything of political worth to Edo was the right thing for Japan as a nation.  If it weren’t for the Shogun and his pro-industrial decree, they probably would have been forced into signing the open-door treaty with the pink-skinned beasts from across the ocean, landing on Japanese shores in Black Ships several years ago.  With Minako’s arranged marriage to the Shogun Lord’s son, Deikyo, Japan’s pedestal as an industrial power in the East would be cemented for generations to come.

Minako, however, had other plans in mind.  She gently dabbed her mouth with a handkerchief, and turned to the Empress.  “Kaa-san, I will return shortly, I must freshen up.”

Her mother nodded, “Alright, but please take Sabu with you.”

From the corner, appearing as if from nowhere, a ball-jointed, doll-like figure rolled on wheels towards Minako, nearly tipping over at times due to the rocking of the boxcar.  It slowly raised one arm towards the princess, then rotated on its waist towards the paper screen door.

“P-lea-se, co-me, th-is, way, desu.”

Sabu the rotated again on its waist, angling its wheels parallel to the dinner table, and slowly rolled on its own towards the slider, calculating and adjusting its path along the way.  Misako followed suit, trying her best to conceal her bewilderment of the obscene situation.  She bowed politely to Sabu, literally number three, in a way that she would to a living person.  Finally, she was gone.

Misako disappeared into the dim corridor outside of the dining room.  She carefully treaded through the tatami, past pairs of paper gaslights, carefully examining the characters painted on each.

Progress.  Future.  Enlightenment.  Power.  Change.

Misako was forever haunted by these words, suddenly overcome with grief.  She escaped to a dressing closet equipped with a gold-framed mirror, its border chiselled into a circular dragonscale pattern.

She stared at her reflection, gazing upon saddened azure eyes, rounded cheekbones, and full pouting lips, pink like the cherry blossoms of her garden back home.  Minako reached out towards the full-length mirror and ran her hands down the image of her kimono, soullessly manufactured silk from a factory in Nara, south of the old capital.  It was coloured in vibrant shades of purple in the background, the foreground depicting a geisha holding a telescope and looking into the stars.  She was beautiful.  She was melancholy.

I cannot live in this Japan anymore!

She turned around and saw the portcullis of the room and struggled to push.  As it opened with a creak, the howling wind crashed into the dressing room with violent temperament, throwing Misako off-balance temporarily.  She grabbed tight onto the brass frame of the circular window, and pulled herself towards the opening.  She set one foot on a nearby furnace, slipped, and nearly stumbled to the floor, hanging by her arms on the opening.  She kicked off the pair of lacquered geta on her feet so that the tabi underneath would get a better grip.

On her second attempt, she finally climbed high enough to manoeuvre her way through the window, and positioned herself just enough so that she could take one last look at the scenery as it blurred past her, as expected of the Japan she no longer knew.

With one last effort, she looked up at the full moon to pray her last goodbyes.  And when she did, she could not see the moon goddess.  She saw demons.

Bandits.  Riding atop the roof of the Silver Tiger.

What is Steampanku? – Part I

Perhaps the most fascinating feature of Japanese culture is the ability to take an outside influence and amalgamate it with their own rich heritage to make a unique, yet ostensibly Japanese phenomenon.  This effect is seeded in its relatively isolationist beginnings and resulting opening up to the world after the arrival of Commodore Perry and his “Black Ships.”

It is particularly interesting that the arrival of Perry during the late Takugawa Shogunate (1853-1867) and the resulting Meiji Restoration that resulted from it (1868-1912) intersected nicely with the Victorian era (1837-1901).  This parallel between two contrasted histories that both experienced industrial revolutions during a reasonably overlapped period allows room for great discussion in the field of speculative fiction, namely Steampunk.

Perhaps the reason why Steampunk was primarily associated with Victoriana was due to the fact that science fiction in general was born in England by the pens of Verne and H.G. Wells.  The two fathers of SF postulated a future of machinery, invasionism and romantic voyage, while infusing the romanticism of their non-genre counterparts.  Meanwhile, in Japan, literature was shaped primarily by their own brands romanticism and classicism.

It would only take a century after Wells for Japanese Science Fiction to take form in its own uniquely Japanese aesthetic.  With the worldwide popularization of Gundam, Evangellion and others, the meccha was the foremost symbol of Japanese technological speculation.

But the problem in trying to associate meccha with steampunk is the technology involved in creating such beings.  Steampunk was speculative in the simplicity of the technology available at the time, whereas meccha was penned during an age where the Japanese were touted as technologically ahead of the rest of the world.  It was only natural for both genres to be essentially different.

But what if we reversed the roles?  What if we set the industrial revolution as originating in Japan, or more logically, reaching and taking off in Japan long before the Black Ships?  Realistically, this is a plausible train of thought, considering that the Japanese were not isolated in the most literal sense of the word.  Rangaku, or literally Western Learning, had its roots in Dejima, the sole foreign outpost in Japan during the isolated years of the Edo Period.

It was due to their connections with the Dutch that the Japanese learned of technology as it was being developed in Europe.  This means the Industrial revolution.  While idealistically traditional, the pursuit of technological advancement in Japan was strictly under the table, mainly against the wishes of the emperor and shogunate.  One notable example of this is Wadokei, or Japanese clockwork.

Wadokei, or Japanese Clock

Wadokei, or Japanese Clock

One can imagine the possibilities of Japanese ingenuity and artistry when extrapolated to more grander designs.  In particular, note the artistry of Japanese automata, or Karakuri Ningyo:

Japanese Automata, or Karakuri Ningyo

Japanese Automata, or Karakuri Ningyo

If automata were originally constructed to serve tea, imagine the other functions that could be imagined and realized through speculative Japanese fiction.  Think Memoirs of a Fully Automated Geisha.

The steam in steampunk is fully applicable to Japanese speculative history when looked at through these avenues.  However, while similar to Victorian era technology, the punk aspect is the ultimate difference maker in the genre, one that would make Bafuku Steampunk stand on its own apart from Victorian, and perhaps my favourite aspect of the genre.  But that will have to wait until another day and another post.

Welcome to Steampanku!

This is the first post of steampanku, my personal fiction blog centered around steampunk written in a completely japanese aesthetic.  There’s nothing much here at the moment, but as soon as I start writing more and more, I will post finished stories and drafts (mostly drafts).

In anticipation of NaNoWriMo 2009, I will also use this blog as an avenue for discussion regarding this strange hybrid genre that I suddenly became fascinated with.

If you are interested in Japanese Historical Fiction, as well as Gaslight Pulp fiction, then look no further than Steampanku!  I hope you enjoy your stay, and I look forward from hearing you in the future!